La Boheme: Vocal Score (Ricordi Opera Vocal Score) William BEST

La Boheme: Vocal Score (Ricordi Opera Vocal Score) William BEST



 
 
 
 
 
 
 

La Boheme: Vocal Score (Ricordi Opera Vocal Score) William

Puccinis great success with the bel canto style actually set him on course for more significant operatic work. He continued to work with the composer Amilcare Ponchielli (18541934) and the more vocal-centred composer Paolo Tosti (18541911). In the 1890s the two men created the ballet Ballo in maschera, which featured works by Puccinis great heroes, Victor Hugo, Hugo, Balzac, and Mussorgskys Rienzi. He also wrote, for the world premiere in 1897 of Isoldes first act, a performance which was triumphant, containing the following aria: …

The 1900s saw the advent of an operatic style heavily influenced by Verdi. The composer Giuseppe Verdis music was seen as revolutionary for its dark dramatic mood, and the harshness of its dramatic gestures. Mature artists like Puccini had to take on this more demanding style, developing it to a level which would be better received by an audience which had grown up with Verdis earlier works. Three of Verdis most important operas are among Puccini s major achievements: his only grand opera, Otello in 1904, the first opera with a continuous scene, the magnificent La Bohème in 1906, and then Tosca in 1908. Puccini respected the conventions of his predecessors and went on to develop the arias of the operas, gradually extending their melodic range. In the early 1900s, he experimented more and more with the use of the orchestra to support the voice, which was a trend that continued throughout his career. His commitment to the essence of Italian opera can be seen in his insistence that every aria should be sung in Italian. Many of the Italian songs and arias were written specifically for the score. The great aria in Tosca represents one of Puccinis best and most compelling creations. In it, the passionate Tatiana compares her fate to that of the heroine whose story she tells. The effect is in the type of musical drama which provides the main course for Puccini s work. Although La Bohème was an enormous hit and a great success with audiences and critics, its music was harshly criticized and Puccini was angry that not enough attention had been paid to it. He based his further operatic efforts mainly on the atmospheric world of Otello.

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